<?xml version="1.0" encoding="UTF-8"?>
<!DOCTYPE article PUBLIC "-//NLM//DTD JATS (Z39.96) Journal Archiving and Interchange DTD v1.3 20210610//EN" "https://jats.nlm.nih.gov/archiving/1.3/JATS-archivearticle1-3.dtd">
<article article-type="research-article" dtd-version="1.3" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">vostokoriens</journal-id><journal-title-group><journal-title>Восток (Oriens)</journal-title><trans-title-group xml:lang="en"><trans-title>Vostok (Oriens)</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">0869-1908</issn><issn pub-type="epub">2713-0401</issn><publisher><publisher-name>Институт востоковедения РАН</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.31857/S086919080001848-9</article-id><article-id pub-id-type="publisher-id">1559</article-id><title-group><article-title>Египетские мотивы в декоре керамики Мероэ: проблема межцивилизационных влияний в материальной культуре древних обществ</article-title><trans-title-group xml:lang="en"><trans-title>Egyptian Motifs in the Ceramic Decoration of Meroe</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author"><contrib-id contrib-id-type="orcid">https://orcid.org/0000-0002-2077-7285</contrib-id><name-alternatives><name xml:lang="ru"><surname>Малых</surname><given-names>Светлана Евгеньевна</given-names></name><string-name xml:lang="en">Svetlana E. Malykh</string-name></name-alternatives><email>malyh2002@mail.ru</email><xref ref-type="aff" rid="aff1" /></contrib></contrib-group><aff id="aff1"><institution>Институт востоковедения РАН</institution></aff><pub-date date-type="pub" publication-format="electronic"><day>28</day><month>10</month><year>2018</year></pub-date><issue>5</issue><fpage>37</fpage><lpage>55</lpage><self-uri>http://vostokoriens.ru/articles/egipetskie-motivy-v-dekore-keramiki-meroe-problema/</self-uri><self-uri content-type="application/pdf">http://vostokoriens.ru/articles/egipetskie-motivy-v-dekore-keramiki-meroe-problema/pdf/</self-uri><abstract xml:lang="ru"><p>Керамика древнесуданской цивилизации Мероэ (вторая половина VI в. до н.э. – середина IV в. н.э.) занимает особое место в мировой материальной и художественной культуре. Причина этого кроется прежде всего в характере декора мероитской керамики, выделяющего ее из группы гончарных изделий других древних цивилизаций. В орнаментации многих вещей встречаются хорошо известные египетские мотивы, заставлявшие исследователей видеть в этом подавляющее влияние цивилизации Древнего Египта. Данная статья посвящена выделению египетских мотивов в декоре керамики Мероэ и установлению степени воздействия Древнего Египта на мероитское гончарство и художественную культуру этой цивилизации.</p></abstract><trans-abstract xml:lang="en"><p>Abstract: The ancient Sudanese civilization of Meroe existed from the second half of the sixth century BCE to the middle fourth century CE. Decoration of the Meroitic pottery distinguishes it from the ceramics of other ancient civilizations. Well-known Egyptian motifs were used for the ornamentation of Meroitic wares. The article concerns the allocation of Egyptian motifs in the pottery of Meroe. It aims to establish the influence of Ancient Egypt on the Meroitic pottery and art culture. Despite a distinct relationship between the Meroitic arts and the ancient Egyptian civilization, the address to the Egyptian samples was not their exact copying. Meroitic craftsmen took the Egyptian forms and symbols as a basis, reinterpreted them within local traditions and used the Egyptian and Hellenistic bases as well as the achievements of their Nubian ancestors. Meroitic potters acquainted with the monuments of Egypt and the Greek-Roman World took on various features and displayed a special fusion of artistic ideas embodied in the decoration of ceramics of Meroe. In these decorations, on the one hand, there are Egyptian and Hellenistic themes, technical methods and ceramic shapes characteristic for the pottery of Late and Ptolemaic Egypt, ancient Greece and Rome. On the other hand, the ceramic products turned original and recognizable, vividly illustrating the material and artistic culture of the Meroitic civilization.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>Древний Судан</kwd><kwd>Нубия</kwd><kwd>Мероэ</kwd><kwd>Абу Эртейла</kwd><kwd>мероитская керамика</kwd><kwd>египетское влияние</kwd><kwd>египетско-эллинистический синкретизм</kwd></kwd-group><kwd-group xml:lang="en"><kwd>Ancient Sudan</kwd><kwd>Nubia</kwd><kwd>Meroe</kwd><kwd>Abu Erteila</kwd><kwd>Meroitic pottery</kwd><kwd>Egyptian influence</kwd><kwd>Egyptian-Hellenistic syncretism</kwd></kwd-group></article-meta></front></article>