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<!DOCTYPE article PUBLIC "-//NLM//DTD JATS (Z39.96) Journal Archiving and Interchange DTD v1.3 20210610//EN" "https://jats.nlm.nih.gov/archiving/1.3/JATS-archivearticle1-3.dtd">
<article article-type="research-article" dtd-version="1.3" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">vostokoriens</journal-id><journal-title-group><journal-title>Восток (Oriens)</journal-title><trans-title-group xml:lang="en"><trans-title>Vostok (Oriens)</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">0869-1908</issn><issn pub-type="epub">2713-0401</issn><publisher><publisher-name>Институт востоковедения РАН</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="publisher-id">657</article-id><title-group><article-title>КОГДА ГРАНИЦА СТАНОВИТСЯ ФРОНТИРОМ</article-title><trans-title-group xml:lang="en"><trans-title>WHEN THE BORDER BECOMES A FRONTIER</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author"><contrib-id contrib-id-type="orcid">https://orcid.org/0000-0002-2554-1749</contrib-id><name-alternatives><name xml:lang="ru"><surname>Суворова</surname><given-names>Анна Ароновна</given-names></name><string-name xml:lang="en">Anna Suvorova</string-name></name-alternatives><email>annasuv@yandex.ru</email></contrib></contrib-group><pub-date date-type="pub" publication-format="electronic"><day>01</day><month>07</month><year>2014</year></pub-date><issue>4</issue><fpage>107</fpage><lpage>112</lpage><self-uri>http://vostokoriens.ru/articles/kogda-granitsa-stanovitsya-frontirom/</self-uri><self-uri content-type="application/pdf">http://vostokoriens.ru/articles/kogda-granitsa-stanovitsya-frontirom/pdf/</self-uri><abstract xml:lang="ru"><p>Травма раздела Индии (The Partition) 1947 г. сформировала современную литературу и искусство Индийского субконтинента точно так же, как Вторая мировая война и Холокост - литературу и искусство России и стран Запада. Сам факт раздела трактуется как травмирующий коллективный опыт или не преодоленное историческое прошлое. Сюжеты произведений литературы и искусства часто локализуются на геополитической границе между новыми государствами Индией и Пакистаном. Эта &amp;quot;граница&amp;quot; становится ориентационной метафорой, т.е. определяет перемещение литературных персонажей как в географическом и геополитическом пространствах, так и в ценностных и духовных координатах.</p></abstract><trans-abstract xml:lang="en"><p>The Partition of India became one of the main subjects in the contemporary literatures and cinema of the Indian Subcontinent. It is hardly possible to name a notable Hindi, Urdu, Panjabi or Bengali writer who has not paid tribute to this historical tragedy. In most of their literary works the plot is developed at the border between two new states which can be understood as a civilizational frontier or a metaphor of ethnic, national and confessional division between India and Pakistan. In the present article &amp;quot;border&amp;quot; and &amp;quot;frontier&amp;quot; dichotomy and its metaphorical meaning are represented as a show-case including the short-story &amp;quot;Toba Tek Singh&amp;quot; (1955) by Saadat Hasan Manto, the novel &amp;quot;Train to Pakistan&amp;quot; (1956) by Khushwant Singh, and the novel &amp;quot;Bhowani Junction&amp;quot; (1954) by John Masters screened in 1956 by George Cukor.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>раздел индии 1947 г.</kwd><kwd>государственная граница</kwd><kwd>пограничье</kwd><kwd>фронтир</kwd><kwd>типы идентичности</kwd><kwd>ориентационные метафоры</kwd></kwd-group><kwd-group xml:lang="en"><kwd>partition of India 1947</kwd><kwd>frontier</kwd><kwd>border zone</kwd><kwd>frontier</kwd><kwd>identity types</kwd><kwd>orientation metaphors</kwd></kwd-group></article-meta></front></article>